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This has been one focus of this text, but it should also be understood that a lot of textile artwork developed in studios goes directly to the engraver who prepares the screens or rollers, the artwork being purely a working record of the design.

In real life, artwork does not always look perfect; on the contrary, it is done in the quickest, simplest way to accomplish the necessary results.

Finally, and most important of all, for the designer's own protection the artist's name and the copyright date should be lettered prominently on the back of each piece of artwork.

Nowadays, however, designers are becoming much more aware of professional standards, largely through improved and increased communication among themselves.

On the back of the mount board, the staples are covered with masking tape so that they will not scratch other designs in the portfolio.

When mount boards become tired and worn looking, they should be replaced. Color combinations are usually shown together on one board.

Are you a fabric collector, quilt collector, appraiser, or antiques collector who needs to know specifics about fabrics or quilts? It will help you identify, date, and recognize antique fabrics and their uses in quilts and clothing.

Over 1,000 color fabric swatches are listed in this handy, easy-to-use reference guide.

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Publicity, advertising, and other printed material showing photographs or fabric, either alone or in use, may make up a part of a portfolio.

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